When I grow up, I want to be a box of crayons.
I’d like to share with you the conversation I had with a man from Maintenance, on campus, this morning, hardly an hour and a half ago. Let me set the scene, for you: I’m teaching my Theatre Appreciation class, which is held each Monday and Wednesday morning in the small theatre studio, a few rooms down from my office. I’m in the middle of my lecture, standing in front of several large benches, set pieces for our upcoming production. My back is both to the door and the darkened stage. One of my students, who insists on being called Poonie May, suddenly...
Pointing, by the way, is not polite.
Filed under: Deep South, Everyday, education, food, health, humor, life, theatre
I’ve become a little too close to the janitor, at the college. And it’s not that I mind, not one bit; it’s how we’ve become close that I find amusing and uncomfortable. It involves Miller Light. Sort of. Before I go any further, I want you to be plainly aware that this is not about an academic caste system. And I have a previous story to prove it. Though I rarely tell this story from my Disney Days, prior to having the high-class job of character entertainment and the allure of being an Attractions Host at Disney Studios, I will come clean and tell you that...
“That’s not lying,” he said, “That’s good manners.”
Filed under: Deep South, Everyday, education, faith, family, humor, language, life, theatre, writing
Of all the hobbies I have, I most enjoy lying and eavesdropping. Because I, personally, like a hobby that's a challenge. And both of these are. It is not so easy to lie, as you might think. The closer you are to someone the craftier you have to be. But, I like that. I've always been good at crafts, thanks to Vacation Bible School. Ask U.L. He’s kept every single thing I ever made at VBS, with the exception of that frightening plastic Jesus-on-the-cross-shaking-hands-with-PawPaw objet d’art I made, when I was six. I don’t blame him for that, though; it’s difficult to know how long...
The table of Christian Things.
Filed under: Deep South, Everyday, education, faith, humor, life, theatre
On some mornings, as I’m entering the Town That Was, aka Scooba, I have a small (though at one time it was) visual delight, usually, to my right, just as I bump over the railroad tracks, situated all alone in front of what may very well be a defunct fire station. And this is what my small (though at one time it was) visual delight consists of: a faded tent, no doubt purchased “as is,” from some desperate funeral home, I imagine. Beneath the tattered green fabric sits a cheap a la Fred’s-Giving-Away-the-Store-again! plastic table precariously atop four brittle fold-out legs. Adorning this table is a...
He was called Bear because he looked like a bear.
Filed under: Deep South, Everyday, education, family, food, language, life, theatre, writing
I figured something out yesterday: The closer I get to someone, the more of my name I lose. It's not the first time, I admit, that I've had this thought. I’ve often been concerned with the apparent fluid boundaries of what constitutes Identity, especially where names are involved. I got it naturally; after all, I’m no average Chris…I’m Kris…with a K. I even wrote a song about it once. It was always a delicious fantasy for me, though, in grade school, to change the spelling of my name on my homework assignments. I mean, Chris (with the “Ch”) was as foreign a person to...
She said tetherball, and I immediately felt sorry for her.
Filed under: Deep South, Everyday, education, family, language, life, theatre
Before I begin the section on Theatre History, for non-majors, I always start the class off by discussing children’s games. I ask them what their favorite games were when they were little, and then I segue from that into the ideas of exaggerated expression, storytelling, being larger than yourself, and then lead them all the way into that post-adolescent Catch-22 of knowing which parent to ask to get permission to do whatever it is the other parent said No to. Because a lot of those ideas are exactly where theatre’s roots lie, at least coming at it from the...
Faith for five dollars…and Tennessee Williams.
Filed under: Deep South, Everyday, education, faith, family, life, theatre, writing
I did something nearly unforgiveable, today: I cried in class. Don't worry, no one saw me. The lights were off, and most were, I'm happy to say, engrossed in the video documentary I was showing on Tennessee Williams. I counted three sleeping students, but I only heard two of them...so I let them rest. They're athletes and all, you know. I've seen this A&E video on Williams a hundred thousand and six times, but today, today, the story resonated in a deep and tragic way, wholly new to me. I suppose it's the stress, I'm saying it's the stress, but whatever it was, it touched...
I’m made of sterner stuff than common sense, I’ll have you know.
Filed under: Deep South, Everyday, family, language, life, theatre, writing
I used to get frustrated when I'd be cast in a play, an old one written back, say, in the 1920s, a la Glaspell or O'Neill, and halfway through the play I'd come to one of my lines: "Egads, Helen! Don't do that with your teeth! The zipper's fine." Or... "Eureka! Eureka! I've unlocked the secret code. Now, the children may eat." I hated that type of diction. It was always difficult for me to comprehend who in the world would ever actually say these things. Even harder still when one of the words had a repeat. I had no idea how to even say these words. That is...until today. Today...
Mistakes make you feel bad. Like Peter Scolari or Mario van Peebles.
Filed under: faith, food, language, life, theatre, writing
I've made a mistake. I know I've made, like, at least two mistakes, previously, in my whole life and this would make three, and that's like, a holy number, so maybe I've come full circle, now. God, I hope. And though I don't make many mistakes, I know quite well what it feels like; the three I've made already have hurt like the Dickens. You know what the Dickens feels like, don't you? It feels like a headache plus a backache plus a neckache plus a stomachache, and your stomach is connected to your knee bone and your knee bone's connected to your jaw bone, something...
Real love requires 2" heels, at least.
That Ken Ludwig. Man. He can't write a play without causing serious damage to the ankles. (That's what my feet are saying, anyway. Ah, well, there's a price to be paid for anything, huh?) I'm sorry if this comes across, at first, like a shameless plug for the current production of Leading Ladies that I'm in - it wouldn't matter anyway, if it did; we're practically sold out for the rest of this run. We've only got one more week, and then...it's curtains. Literally. But, out of the goodness of my heart, and since I'm a Christian man (from the waist up, anyway), I'll gladly give you the...
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